Art Media Articles
"How Rembrandt’s Landmark ‘100 Guilder Print’ Outsold Its Namesake Price." Artnet News (Nov 24, 2024)
"The Surprisingly Artful History Behind the Garden Gnome." Artnet News (Oct 26, 2024)
"Old Master forgeries’ second lives as teaching tools." The Art Newspaper (Oct 25, 2024)
"‘I’m Truly Inside the Flower’: Why Rising Artist Kate Bickmore Is Reimagining Victorian Floral Painting." Artnet News (Oct 16, 2024)
"Historical auction results show centuries old demand for women artists." The Art Newspaper 371 (Print Issue, October 2024), p. 42
"'Little Venice’ to the Labyrinth: A Lost History of the Versailles Gardens." Artnet News (Oct 5, 2024)
"The History of the Grand Palais in 7 Groundbreaking Exhibitions." Artnet News (Sep 11, 2024).
Book Chapters
“Fractured Perception: Prints, Drawings, and Verres-cassés.” Art and Artifice in a Global Perspective, edited by Sonia Coman, Michael Yonan, and Ovidiu Prejmerean (London: Routeledge, 2025), pp. 13-31
“Mirror Image: The Spatial Emergence of Drawings in the Revolutionary Louvre,” in Émergence, Du lieu à l’espace des images dans l’art français du XVIIe au XIXe siècle, edited by Markus A. Castor, Julia Kloss-Weber, Valérie Kobi (Peter Lang AG, forthcoming)
“Pour la satisfaction de l’œil: The 1797 Exhibition of Drawings in the Louvre.” Inside the Exhibition: Temporalità, dispositivo, narrazione, edited by Gloria Antoni, Matteo Chirumbolo, Gianluca Petrone, Célia Zuber (Rome: Artemide Editore, 2022), pp. 43-56
“Geography.” Dare to Know: Prints and Drawings in the Age of Enlightenment, edited by Edouard Kopp, Elizabeth Rudy and Kristel Smentek (New Haven: Yale University Press, 2022), pp. 78-84
“Abraham Bloemaert’s Graphic Legacy in Eighteenth-century France,” in New Perspectives on Abraham Bloemaert and his Workshop, edited by Léonie Marquaille, Volume II of Gouden eeuw: New Perspectives on Dutch seventeenth-century Art (Turnhout: Brépols, 2022), pp. 233-251
Exhibition Reviews
"Review of Walton Ford: Birds and Beasts of the Studio." Master Drawings (forthcoming)
“Ways of Seeing Drawings, 1797 to 2023: Review of the exhibitions of Jack Shear's Drawing Collection, The Drawing Center, NY.” Master Drawings 2 (Summer 2023), pp. 266-272
“Jean-Jacques Lequeu: Visionary Architect.” Exhibition Review, Sequitur (May 2020)
“The Smell of Success: Gerard and Cornelis Van Spaendonck at Het Noordbrabant Museum, A Review.” Journal18 (2019)
Journal Articles
“Vasari as Algorithm: Machine Learning and the Old Masters,” Burlington Contemporary (forthcoming)
“Tokenized and Tactile: Frank Stella’s Geometries (2022).” Arts, special issue, on “NFTs, Blockchain, Cryptocurrency, Metaverse.”
“Sculpting Nostalgia: Daniel Arsham, Alicja Kwade, and Kathleen Ryan.” Intermédialités, themed issue on “Returning (Nostalgia),” edited by André Habib, Suzanne Paquet, Carl Therrien, no. 39 (Winter 2022)
“Paris 2440 / 3020: Excavating Daniel Arsham's Fictional Archaeology.” Thresholds 50 "Before/After" (2022), pp. 143-159
“Latitudes of Tenderness: Imagining Nouvelle France in the Ancien Régime.” Journal18 themed issue on Race: Representation in the French Colonial Empire, edited by Susannah Blair and Stephanie O’Rourke (Spring 2022)
“The Ruins of Iconologie: Redefining Architecture in Jean-Charles Delafosse’s desseins," Athanor 32 (Florida State University: Museum of Fine Arts Press, 2014), pp. 53-63
Other
4 entries for Bloomsbury Art Markets Protagonists, Networks, Provenances (2019-2023)
25 entries for Cooper Hewitt, Smithsonian Design Museum, Object of the Day (2014-2017)
7 entries for Harvard Art Museums, Drawing: Invention of a Medium (2016)
13 entries for Bard Graduate Center Gallery, Revisions- Zen for Film (2015)
The Mellon Foundation’s Cultures of Conservation Blog (2014-15): "There Will Never Be Silence at The MoMA," and "Performance / Prop-formance at the Whitney. "
The Metropolitan Museum of Art's Blog, "Galleys in the Gallery" (2014)
“Gilt Surtout,” in Rococo and Neoclassical Interiors (Davis Museum, exh. cat 2011)
Updated October 2024