WRITING
Artist Interviews & Profiles
"Interview with Eric Fischl" Master Drawings (forthcoming)
"Interview with Firelei Báez." Journal18, themed issue on Revolutions (Spring 2026)
"In Conversation with Mimi Biyao Bai." Impulse (April 2026)
"Jeff Koons on Mining the Past for His New Porcelains: ‘Time Is Very Important.’" Artnet News (December 2025)
"Emma McIntyre’s Seductive Abstractions Are Fueled by Alchemy and Instinct." Artnet News (December 2025)
“Army of Love: An Interview with Patricia Cronin." Impulse (September 2025)
"Ser Serpas: ‘I’m hoping I can add a bit of what I think is a healthy dose of unease.’" The Art Newspaper (June 2025)
"Julian Charrière: ‘The deep sea is a phantasmagorical space.’" The Art Newspaper (June 2025)
"'Everything Starts with Drawing', Robert Longo in Conversation." Master Drawings (Spring 2025), pp. 237-254
"Lotus L. Kang on Channeling Poetry, Memory, and Spirits Into Her New Work." Artnet News (May 2025)
"Sandra Poulson: 'I see hidden codes in the everyday.'" The Art Newspaper (May 2025)
"Julien Creuzet is Embracing Metamorphosis." Elephant Magazine (April 2025) [conducted in French, translated by the author]
"‘I’m Truly Inside the Flower’: Why Rising Artist Kate Bickmore Is Reimagining Victorian Floral Painting." Artnet News (October, 2024)
Exhibition and Book Reviews & Previews
"Group show at HEK explores where technology meets spirituality and folklore." The Art Newspaper (June 2026)
"Garment, body and space merge in Iris van Herpen’s first major New York show." The Art Newspaper (May 2026)
"Exhibitions marking 250th anniversary of the US open in New York." The Art Newspaper (May 2026)
"Why Contemporary Artists Are Raiding the Renaissance Toolkit." Artnet News (May 2026)
"Review of Gregory Halili, Recollections, Silverlens, NY." Nous-Ance (February 2026)
"Five Essential Old Masters Shows for 2026." Artnet News (January 2026)
"Remembering Robert Rauschenberg’s decades in Florida." The Art Newspaper (December 2025)
"Ecological fables set in the Everglades: Kat Lyons stages first US institutional solo show at Marquez Art Projects." The Art Newspaper (December 2025)
"Why Are UFOs Everywhere in Contemporary Art?" Artnet News (December 2025)
"Review of Walton Ford: Birds and Beasts of the Studio at The Morgan Library & Museum." Master Drawings (Fall 2025)
"Summer of Revelation: Artists Revisit Judgment Day." Observer (August 2025)
“Museum Shows to See During TEFAF New York.” The Art Newspaper 378 (May 2025), p. 7
"A New Year for Old Masters? Five Exhibitions Set to Make a Splash in 2025." Artnet News (January 2025)
"Beyond Needle and Thread: Contemporary Artists Are Fueling a Tapestry Renaissance." Artnet News (November 2024)
"Paris Through the Eyes of Saint-Aubin." Trois Crayons (November 2024)
“Ways of Seeing Drawings, 1797 to 2023: Review of the exhibitions of Jack Shear's Drawing Collection, The Drawing Center, NY.” Master Drawings 2 (Summer 2023), pp. 266-272
“Jean-Jacques Lequeu: Visionary Architect.” Exhibition Review, Sequitur (May 2020)
“The Smell of Success: Gerard and Cornelis Van Spaendonck at Het Noordbrabant Museum, A Review.” Journal18 (2019)
Art Market Articles
"Inside the Business of Prints, Multiples and Editions." Observer (June 2026)
"Ten years on, Tefaf New York still stands out from the crowd." The Art Newspaper (May 2026)
"Why Ultra-Contemporary Artists Are So Obsessed With Old Masters." Artnet News (Feb 2026)
"Independent and Nimble: Boutique Art Fairs Redraw the Map." The Art Newspaper 384 (December 2025)
"A Centenary of Style: Why Art Deco's Market Appeal is Evergreen." The Art Newspaper 383 (Print Issue, November 2025)
"These 7 Young Dealers are Pushing the Art Market Forward by Looking Back." Cultured (October 2025)
"Trois Crayons's London Drawing Fair with No Stands." The Art Newspaper 379 (June 2025), p. 39
“Could 17th-century Italy Provide a Useful Model for Today’s Challenging Art Market?” The Art Newspaper 378 (May 2025), p. 43
"As Collector Strategies Shift, Prints are Experiencing New Levels of Popularity." The Art Newspaper 376 (March 2025), p. 45
"Cross-Category shows Gain Ground, but Do they Pay Off?" The Art Newspaper 375 (February 2025), p. 34
"How Rembrandt’s Landmark ‘100 Guilder Print’ Outsold Its Namesake Price." Artnet News (November 2024)
"Historical Auction Results Show Centuries Old Demand for Women Artists." The Art Newspaper 371 (October 2024), p. 42
Other Art Media Articles
"How the Art World Finally Started Taking Funny Art Seriously." Cultured (August 2026)
"Arts Organization are Pulling Out All the Stops to Appeal to a New Generation." Cultured (April 2026)
"Meet the Collector: Kim Manocherian Is Building Narratives Through Art." Observer (November 2025)
"'Age alone does not guarantee value': Thomas S. Kaplan is Showing his Dutch Old Master collection in US for first time." The Art Newspaper 382 (October 2025)
"Renewed Frick Collection Balances Tradition and Transformation." The Art Newspaper 377 (April 2025), p. 34
"Decoding Niki de Saint Phalle’s Glittering Pop Bestiary." Artnet News (February 2025)
"The Surprisingly Artful History Behind the Garden Gnome." Artnet News (October 2024)
"Old Master Forgeries’ Second Lives as Teaching Tools." The Art Newspaper (October 2024)
"'Little Venice’ to the Labyrinth: A Lost History of the Versailles Gardens." Artnet News (October 2024)
"The History of the Grand Palais in 7 Groundbreaking Exhibitions." Artnet News (September 2024)
Books & Book Chapters
What is the Point of Art? A Case Study: Artists in Residence at a Law Office (Quinn Emanuel Arts Foundation, 2026).
“Mirror Image: The Spatial Emergence of Drawings in the Revolutionary Louvre,” in Émergence, Du lieu à l’espace des images dans l’art français du XVIIe au XIXe siècle, edited by Markus A. Castor, Julia Kloss-Weber, Valérie Kobi (Peter Lang AG, forthcoming)
“Fractured Perception: Prints, Drawings, and Verres-cassés.” Art and Artifice in a Global Perspective, edited by Sonia Coman, Michael Yonan, and Ovidiu Prejmerean (London: Routledge, 2025), pp. 13-31
“Pour la satisfaction de l’œil: The 1797 Exhibition of Drawings in the Louvre.” Inside the Exhibition: Temporalità, dispositivo, narrazione, edited by Gloria Antoni, Matteo Chirumbolo, Gianluca Petrone, Célia Zuber (Rome: Artemide Editore, 2022), pp. 43-56
“Abraham Bloemaert’s Graphic Legacy in Eighteenth-century France,” in New Perspectives on Abraham Bloemaert and his Workshop, edited by Léonie Marquaille, Volume II of Gouden eeuw: New Perspectives on Dutch seventeenth-century Art (Turnhout: Brépols, 2022), pp. 233-251
Exhibition Catalogues
Danielle Fretwell: Tablescapes Exh. Cat. (London: Alice Amati)
“Geography.” Dare to Know: Prints and Drawings in the Age of Enlightenment, edited by Edouard Kopp, Elizabeth Rudy and Kristel Smentek (New Haven: Yale University Press, 2022), pp. 78-84
7 entries for Harvard Art Museums, Drawing: Invention of a Medium (online, 2016)
13 entries for Bard Graduate Center Gallery, Revisions- Zen for Film (online, 2015)
Academic Journal Articles
“Tokenized and Tactile: Frank Stella’s Geometries (2022).” Arts, special issue, on “NFTs, Blockchain, Cryptocurrency, Metaverse.”
“Sculpting Nostalgia: Daniel Arsham, Alicja Kwade, and Kathleen Ryan.” Intermédialités, themed issue on “Returning (Nostalgia),” edited by André Habib, Suzanne Paquet, Carl Therrien, no. 39 (Winter 2022)
“Paris 2440 / 3020: Excavating Daniel Arsham's Fictional Archaeology.” Thresholds 50 "Before/After" (2022), pp. 143-159
“Latitudes of Tenderness: Imagining Nouvelle France in the Ancien Régime.” Journal18 themed issue on Race: Representation in the French Colonial Empire, edited by Susannah Blair and Stephanie O’Rourke (Spring 2022)
“The Ruins of Iconologie: Redefining Architecture in Jean-Charles Delafosse’s desseins," Athanor 32 (Florida State University: Museum of Fine Arts Press, 2014), pp. 53-63
Other
4 entries for Bloomsbury Art Markets Protagonists, Networks, Provenances (2019-2023)
25 entries for Cooper Hewitt, Smithsonian Design Museum, Object of the Day (2014-2017)
The Mellon Foundation’s Cultures of Conservation Blog (2014-15): "There Will Never Be Silence at The MoMA," and "Performance / Prop-formance at the Whitney."
The Metropolitan Museum of Art's Blog, "Galleys in the Gallery" (2014)
“Gilt Surtout,” in Rococo and Neoclassical Interiors (Davis Museum, exh. cat 2011)
Updated Sep 2026
