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“Fractured Perception: Prints, Drawings, and Verres-cassés,” in Art and Artifice in a Global Perspective, eds. Sonia Coman, Michael Yonan, and Ovidiu Prejmerean

“Vasari as Algorithm: Machine Learning and the Old Masters,” Burlington Contemporary


“Mirror Image: The Spatial Emergence of Drawings in the Revolutionary Louvre,” in Émergence, Du lieu à l’espace des images dans l’art français du XVIIe au XIXe siècle, edited by Markus A. Castor, Julia Kloss-Weber, Valérie Kobi.


“Tokenized and Tactile: Frank Stella’s Geometries (2022),” Arts, special issue, on “NFTs, Blockchain, Cryptocurrency, Metaverse.”  

“Ways of Seeing Drawings, 1797 to 2023: Review of the exhibitions of Jack Shear's Drawing Collection, The Drawing Center, NY,” Master Drawings 2 (Summer 2023)​.


Pour la satisfaction de l’œil: The 1797 Exhibition of Drawings in the Louvre,” in Inside the Exhibition: Temporalità, dispositivo, narrazione, edited by Gloria Antoni, Matteo Chirumbolo, Gianluca Petrone, Célia Zuber (Rome: Artemide Editore, 2022)

Sculpting Nostalgia: Daniel Arsham, Alicja Kwade, and Kathleen Ryan,Intermédialités, themed issue on “Returning (Nostalgia),” edited by André Habib, Suzanne Paquet, Carl Therrien, no. 39 (Winter 2022)

Geography,” in Dare to Know: Prints and Drawings in the Age of Enlightenment, edited by Edouard Kopp, Elizabeth Rudy and Kristel Smentek (New Haven: Yale University Press, 2022)

Abraham Bloemaert’s Graphic Legacy in Eighteenth-century France,” in New  Perspectives on Abraham Bloemaert and his Workshop, edited by Léonie Marquaille, Volume II of Gouden eeuw: New Perspectives on Dutch seventeenth-century Art (Turnhout: Brépols, 2022)

“Paris 2440 / 3020: Excavating Daniel Arsham's Fictional Archaeology. Thresholds 50 "Before/After" (2022)

Latitudes of Tenderness: Imagining Nouvelle France in the Ancien Régime.” Journal18 themed issue on Race: Representation in the French Colonial Empire, edited by Susannah Blair and Stephanie O’Rourke (Spring 2022)


“Jean-Jacques Lequeu: Visionary Architect,” Exhibition Review, Sequitur (May 2020).


 “The Smell of Success: Gerard and Cornelis Van Spaendonck at Het Noordbrabant Museum, A Review.” Journal18 (2019)


 “The Ruins of Iconologie: Redefining Architecture in Jean-Charles Delafosse’s desseins,"  Athanor 32 (Florida State University: Museum of Fine Arts Press, 2014)


“Gilt Surtout,” in Rococo and Neoclassical Interiors (Davis Museum, exh. cat 2011)


5 entries for Bloomsbury Art Markets Protagonists, Networks, Provenances (2019-2023) 

25 entries for Cooper Hewitt, Smithsonian Design Museum, Object of the Day (2014-2017)

7 entries for Harvard Art Museums, Drawing: Invention of a Medium (2016)

13 entries for Bard Graduate Center Gallery, Revisions- Zen for Film (2015)

The Mellon Foundation’s Cultures of Conservation Blog (2014-15): "There Will Never Be Silence at The MoMA," and "Performance / Prop-formance at the Whitney. "

The Metropolitan Museum of Art's Blog, "Galleys in the Gallery" (2014) 

Updated Sep 2, 2023

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