Publications

“Tokenized and Tactile: Frank Stella’s Geometries (2022),” Arts, special issue, on “NFTs, Blockchain, Cryptocurrency, Metaverse.” (Fall 2023, forthcoming)  

“Vasari as Algorithm: Machine Learning and the Old Masters,” Burlington Contemporary [manuscript in  progress].

Review of Ways of Seeing: Three Takes on the Jack Shear Drawing Collection, The Drawing Institute, NY,” Master Drawings (Spring 2023, manuscript in progress)

Sculpting Nostalgia: Daniel Arsham, Alicja Kwade, and Kathleen Ryan.” Intermédialités, themed issue on “Returning (Nostalgia)” no. 39 (Winter 2022, forthcoming)

Pour la satisfaction de l’œil: The 1797 Exhibition of Drawings in the Louvre.” In Inside the Exhibition: Temporalità, dispositivo, narrazione (Rome: Artemide Editore, December 2022).

“Abraham Bloemaert’s Graphic Legacy in Eighteenth-century France,” ed. Léonie Marquaille, Abraham Bloemaert, New Perspectives, Volume II of Gouden eeuw: New Perspectives on Dutch seventeenth-century Art (Turnhout: Brépols, 2022): pp. 233-251.

Galerie Cailleux." in Art Market Dictionary Online (De Gruyter, forthcoming).

Geography,” in Dare to Know: Prints and Drawings in the Age of Enlightenment (New Haven: Yale University Press, 2022), p. 72-80.

“Paris 2440 / 3020: Excavating Daniel Arsham's Fictional Archaeology. Thresholds 50 "Before/After" (2022).

Latitudes of Tenderness: Imagining Nouvelle France in the Ancien Régime.” Journal18 themed issue on Race: Representation in the French Colonial Empire (Spring 2022).

“Jean-Jacques Lequeu: Visionary Architect,” Exhibition Review, Sequitur (May 2020).

 “The Smell of Success: Gerard and Cornelis Van Spaendonck at Het Noordbrabant Museum, A Review.” Journal18 (2019).

 “The Ruins of Iconologie: Redefining Architecture in Jean-Charles Delafosse’s desseins,"  Athanor 32 (Florida State University: Museum of Fine Arts Press, 2014):  p. 53-63. 

“Gilt Surtout,” in Rococo and Neoclassical Interiors (Davis Museum, exh. cat 2011), n.p.

DIGITAL:  

Cooper Hewitt, Smithsonian Design Museum, Object of the Day (2014-2017)

Harvard Art Museums: entries for "Process" and "Time" for the digital tool for Drawing: Invention of a Medium (2016)

Bard Graduate Center Gallery: entries for Revisions- Zen for Film (2015)

The Mellon Foundation’s Cultures of Conservation Blog (2014-15): "There Will Never Be Silence at The MoMA," and "Performance / Prop-formance at the Whitney. "

The Metropolitan Museum of Art's Blog, "Galleys in the Gallery" (2014) 

Updated Oct 24, 2022