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Talks

Public Talks​​

2025     “The Machine Gaze: AI in Art Conservation and Analysis.” Institute of Fine Arts, NY (2025)

2023      "Drawings for Prints: From the Paris Salons to a Symbiotic Art Market." Organized by the Drawing Foundation for IFPDA Print Month, NY

2022      Introduction to Dare To Know: Prints and Drawings in the Age of Enlightenment." Organized by Print Council for IFPDA Print Month, NY

2022       “Mirror Image: The 1797 Drawing Exhibition at the Galerie d’Apollon,” Deutsches Forum für Kunstgeschichte (DFK) / Centre allemand d’histoire de l‘art, Paris

2021      Drawing Site-Specificity : The 1797 Exhibition of Drawings in the Louvre. New Directions in Eighteenth- and Nineteenth-Century Art online seminar series, 26 July 2021 

2018    “Gallery Talk: Pigments of Imagination,” Harvard Art Museums, Cambridge, MA

2015    “Lunchtime Talk: Excavating Neoclassicism in Eighteenth-century France.”   Cooper Hewitt, Smithsonian Design Museum​​​​​​​

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Podcasts

2025        Review of the Frick renovations, The Art Newspaper's "The Week in Art," (28 March 2025) ​

Conference Talks

   

2021       “Le cadavre desséché de plantes”: Herbaria and the Formation of the Muséum national d’Histoire naturelle in Paris.” | American Society for Eighteenth-century Studies (ASECS), Annual Meeting  

2021       “A Sacrifice for Convenience: Acquiring, Selling, and Displaying Drawings in the Post-Revolutionary Louvre.”  | College Art Association (CAA), Annual Meeting

2020       “Pour la satisfaction de l’œil: The 1797 Exhibition of Drawings in the Louvre.” | Inside the exhibition: temporalità, dispositivo e narrazione, VIII Giornata di Studi Dottorali del Rome Art History Network (RAHN)

2020       “Conducting Nature: Exposing Plant Iconography in Late Eighteenth-century Paris.” | European Society For The History of Science, Bologna

2020     “Jerusalem in the Age of Enlightenment” Guest lecture for ARTH 369: The City of Israel, Concordia University, Montreal, QC

2018       “Multiple Exposures: Methodologies of Drawing Scholarship.” | Visual and Material Culture in the Early Modern Period, LUMEN, Aarhus University, Denmark

2018       “L’art surpasse ici la Nature: Gérard van Spaendonck and Botany at the Threshold.” | Canadian Society for Eighteenth-century Studies (CSECS), Annual Meeting, Niagara Falls         

2017       “Arcadia ‘sous la latitude des Iroquois,’: Representing Indigenous Canadians in the Salon.”  | American Society for Eighteenth-century Studies (ASECS), Annual Meeting           

2015       “Skinned Sculptures: Replicating Republican Masculinity in Jean-Galbert Salvage’s Borghese Gladiator.” | Rutgers University, Art History Graduate Student Symposium

2014        “Neither Medium nor Message: Drawing and the Documentation of Performance Art Since the 1960s.” | Association of Art Historians (AAH) Summer Symposium, Bristol, UK

2014      “Mapping Swedish Architectural History at the Arkitektur- och designcentrum.” | Symposium on the History of Architectural Exhibitions, The Museum of Modern Art, NY

2013      “Architectonic Ruins: The Visual Mobility of Architecture in Jean-Charles Delafosse’s desseins.” | Annual Art History Graduate Symposium, FSU, FL     

2013     “Un-Natural Histories: Walton Ford and the Amnesia of American Natural History.” | Mapping: Geography, Power, and the Imagination in the Art of the Americas, Institute of Fine Arts (NYU), NY

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Updated March 2025

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