Public Talks​​​

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Moderator for "In Conversation: Arcmanoro Niles and Eric Fischl" Guild Hall, NY  (2026) 

 

Moderator for "New Realities: Donald Sultan at Tyler Graphics": Conversation between Donald Sultan and Dr. Warwick Heywood, Kenneth E Tyler Curator at National Gallery of Australia. IFPDA Fair, NY  (2026) ​​

 

“The Machine Gaze: AI in Art Conservation and Analysis.” Institute of Fine Arts, NY (2025)

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"Drawings for Prints: From the Paris Salons to a Symbiotic Art Market." Organized by the Drawing Foundation for IFPDA Print Month, NY​ (2023)

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“Introduction to Dare To Know: Prints and Drawings in the Age of Enlightenment." Organized by Print Council for IFPDA Print Month, NY​ (2022)

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“Mirror Image: The 1797 Drawing Exhibition at the Galerie d’Apollon,” Deutsches Forum für Kunstgeschichte (DFK) / Centre allemand d’histoire de l‘art, Paris (2022)

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 “Drawing Site-Specificity : The 1797 Exhibition of Drawings in the Louvre.“ New Directions in Eighteenth- and Nineteenth-Century Art online seminar series, (2021)

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“Gallery Talk: Pigments of Imagination,” Harvard Art Museums, Cambridge, MA​ (2018)

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“Lunchtime Talk: Excavating Neoclassicism in Eighteenth-century France.”   Cooper Hewitt, Smithsonian Design Museum​​​​​​​​ (2015)

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Podcasts

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Review of the Frick renovations, The Art Newspaper's "The Week in Art," (2025) ​

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Conference Talks

   

“Le cadavre desséché de plantes”: Herbaria and the Formation of the Muséum national d’Histoire naturelle in Paris.” | American Society for Eighteenth-century Studies (ASECS), Annual Meeting  (2021)

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 “A Sacrifice for Convenience: Acquiring, Selling, and Displaying Drawings in the Post-Revolutionary Louvre.”  | College Art Association (CAA), Annual Meeting​ (2021)

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“Pour la satisfaction de l’œil: The 1797 Exhibition of Drawings in the Louvre.” | Inside the exhibition: temporalità, dispositivo e narrazione, VIII Giornata di Studi Dottorali del Rome Art History Network (RAHN) (2020)

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“Conducting Nature: Exposing Plant Iconography in Late Eighteenth-century Paris.” | European Society For The History of Science, Bologna  (2020)

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“Jerusalem in the Age of Enlightenment” Guest lecture for ARTH 369: The City of Israel, Concordia University, Montreal, QC​  (2020)

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“Multiple Exposures: Methodologies of Drawing Scholarship.” | Visual and Material Culture in the Early Modern Period, LUMEN, Aarhus University, Denmark  (2018)

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“L’art surpasse ici la Nature: Gérard van Spaendonck and Botany at the Threshold.” | Canadian Society for Eighteenth-century Studies (CSECS), Annual Meeting, Niagara Falls (2018)

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“Arcadia ‘sous la latitude des Iroquois,’: Representing Indigenous Canadians in the Salon.”  | American Society for Eighteenth-century Studies (ASECS), Annual Meeting (2017)      

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“Skinned Sculptures: Replicating Republican Masculinity in Jean-Galbert Salvage’s Borghese Gladiator.” | Rutgers University, Art History Graduate Student Symposium (2015)

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“Neither Medium nor Message: Drawing and the Documentation of Performance Art Since the 1960s.” | Association of Art Historians (AAH) Summer Symposium, Bristol, UK (2014)

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“Mapping Swedish Architectural History at the Arkitektur- och designcentrum.” | Symposium on the History of Architectural Exhibitions, The Museum of Modern Art, NY (2014)

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“Architectonic Ruins: The Visual Mobility of Architecture in Jean-Charles Delafosse’s desseins.” | Annual Art History Graduate Symposium, FSU, FL  (2013)

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“Un-Natural Histories: Walton Ford and the Amnesia of American Natural History.” | Mapping: Geography, Power, and the Imagination in the Art of the Americas, Institute of Fine Arts (NYU), NY (2013)

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Updated April 2026