"Future Nostalgia: Techno-nostalgia in Contemporary Sculpture." Intermédialités 39 2022 [manuscript submitted for publication].  

“A ‘Scandalous Poison’: Staging Nouvelle France in the Ancien Régime.” Journal18. Themed issue on Race (2022) [manuscript submitted for publication].  

“Paris 2440 / 3020: Excavating Fictional Archaeology.” Thresholds 50 "Before/After" (2022, forthcoming).  

“Pour la satisfaction de l’œil: The 1797 Exhibition of Drawings in the Louvre.” In Inside the Exhibition: Temporalità, dispositivo, narrazione (Rome: Artemide Editore, forthcoming)  

“Geography,” in Dare to Know: Prints and Drawings in the Age of Enlightenment (New Haven: Yale University Press, 2022, forthcoming).

“Abraham Bloemaert’s Graphic Legacy in Eighteenth-century France,” ed. Léonie Marquaille, Abraham Bloemaert, New Perspectives, Volume II of Gouden eeuw: New Perspectives on Dutch seventeenth-century Art (Turnhout: Brépols, 2021, forthcoming). 

“Galerie Cailleux." in Art Market Dictionary Online (De Gruyter, forthcoming).

“Jean-Jacques Lequeu: Visionary Architect,” Exhibition Review, Sequitur (May 2020).

 “The Smell of Success: Gerard and Cornelis Van Spaendonck at Het Noordbrabant Museum, A Review.” Journal18 (2019).

 “The Ruins of Iconologie: Redefining Architecture in Jean-Charles Delafosse’s desseins,"  Athanor 32 (Florida State University: Museum of Fine Arts Press, 2014):  p. 53-63. 

“Gilt Surtout,” in Rococo and Neoclassical Interiors (Davis Museum, exh. cat 2011), n.p.


Cooper Hewitt, Smithsonian Design Museum, Object of the Day (2014-2017)

Harvard Art Museums: entries for "Process" and "Time" for the digital tool for Drawing: Invention of a Medium (2016)

Bard Graduate Center Gallery: entries for Revisions- Zen for Film (2015)

The Mellon Foundation’s Cultures of Conservation Blog (2014-15): "There Will Never Be Silence at The MoMA," and "Performance / Prop-formance at the Whitney. "

The Metropolitan Museum of Art's Blog, "Galleys in the Gallery" (2014) 


2021       “Le cadavre desséché de plantes”: Herbaria and the Formation of the Muséum national d’Histoire naturelle in Paris.” | ASECS, Annual Meeting (postponed from 2020)

2021       “A Sacrifice for Convenience: Acquiring, Selling, and Displaying Drawings in the Post-Revolutionary Louvre.”  | College Art Association (CAA), Annual Meeting

2020       “Pour la satisfaction de l’œil: The 1797 Exhibition of Drawings in the Louvre.” | Inside the exhibition: temporalità, dispositivo e narrazione, VIII Giornata di Studi Dottorali del Rome Art History Network (RAHN)

2020       “Conducting Nature: Exposing Plant Iconography in Late Eighteenth-century Paris.” | European Society For The History of Science, Bologna

2018       “Multiple Exposures: Methodologies of Drawing Scholarship.” | Visual and Material Culture in the Early Modern Period, LUMEN, Aarhus University, Denmark

2018       “L’art surpasse ici la Nature: Gérard van Spaendonck and Botany at the Threshold.” | Canadian Society for Eighteenth-century Studies (CSECS), Annual Meeting, Niagara Falls         

2017       “Arcadia ‘sous la latitude des Iroquois,’: Representing Indigenous Canadians in the Salon.”  | American Society for Eighteenth-century Studies(ASECS), Annual Meeting           

2015       “Skinned Sculptures: Replicating Republican Masculinity in Jean-Galbert Salvage’s Borghese Gladiator.” | Rutgers University, Art History Graduate Student Symposium

2014        “Neither Medium nor Message: Drawing and the Documentation of Performance Art Since the 1960s.” | Association of Art Historians (AAH) Summer Symposium, Bristol, UK

2014      “Mapping Swedish Architectural History at the Arkitektur- och designcentrum.” | Symposium for the graduate seminar, History of Architectural Exhibitions, The Museum of Modern Art, NY

2013      “Architectonic Ruins: The Visual Mobility of Architecture in Jean-Charles Delafosse’s desseins.” | Annual Art History Graduate Symposium, FSU, FL     

2013     “Un-Natural Histories: Walton Ford and the Amnesia of American Natural History.” | Mapping: Geography, Power, and the Imagination in the Art of the Americas, Institute of Fine Arts (NYU), NY

2021      “Drawing Site-Specificity : The 1797 Exhibition of Drawings in the Louvre.“

New Directions in Eighteenth- and Nineteenth-Century Art seminar series, 26 July 2021 

2020.     “Jerusalem in the Age of Enlightenment” Guest lecture for ARTH 369: The City of Israel, Concordia University, Montreal, QC

2018.    “Pigments of Imagination,” Gallery Talk at Harvard Art Museums, Cambridge, MA

2015    “‘Altho’ from these Ruins, it has Phenix like received a second birth’: Excavating Neoclassicism in Eighteenth-century France.”       Brown bag talk, Cooper Hewitt, Smithsonian Design Museum

Updated Sep 16, 2021