2025 “The Machine Gaze: AI in Art Conservation and Analysis.” Institute of Fine Arts, NY (2025)
2023 "Drawings for Prints: From the Paris Salons to a Symbiotic Art Market," Organized by the Drawing Foundation for IFPDA Print Month, NY
2022 “Geography, in Dare To Know: Prints and Drawings in the Age of Enlightenment," Organized by Print Council for IFPDA Print Month, NY
2022 “Mirror Image: The 1797 Drawing Exhibition at the Galerie d’Apollon,” DFK, Paris
2021 “Drawing Site-Specificity : The 1797 Exhibition of Drawings in the Louvre.“ New Directions in Eighteenth- and Nineteenth-Century Art seminar series, 26 July 2021
2018 “Pigments of Imagination,” Gallery Talk at Harvard Art Museums, Cambridge, MA
2015 “‘Altho’ from these Ruins, it has Phenix like received a second birth’: Excavating Neoclassicism in Eighteenth-century France.” Brown bag talk, Cooper Hewitt, Smithsonian Design Museum
2021 “Le cadavre desséché de plantes”: Herbaria and the Formation of the Muséum national d’Histoire naturelle in Paris.” | ASECS, Annual Meeting (postponed from 2020)
2021 “A Sacrifice for Convenience: Acquiring, Selling, and Displaying Drawings in the Post-Revolutionary Louvre.” | College Art Association (CAA), Annual Meeting
2020 “Pour la satisfaction de l’œil: The 1797 Exhibition of Drawings in the Louvre.” | Inside the exhibition: temporalità, dispositivo e narrazione, VIII Giornata di Studi Dottorali del Rome Art History Network (RAHN)
2020 “Conducting Nature: Exposing Plant Iconography in Late Eighteenth-century Paris.” | European Society For The History of Science, Bologna
2020 “Jerusalem in the Age of Enlightenment” Guest lecture for ARTH 369: The City of Israel, Concordia University, Montreal, QC
2018 “Multiple Exposures: Methodologies of Drawing Scholarship.” | Visual and Material Culture in the Early Modern Period, LUMEN, Aarhus University, Denmark
2018 “L’art surpasse ici la Nature: Gérard van Spaendonck and Botany at the Threshold.” | Canadian Society for Eighteenth-century Studies (CSECS), Annual Meeting, Niagara Falls
2017 “Arcadia ‘sous la latitude des Iroquois,’: Representing Indigenous Canadians in the Salon.” | American Society for Eighteenth-century Studies(ASECS), Annual Meeting
2015 “Skinned Sculptures: Replicating Republican Masculinity in Jean-Galbert Salvage’s Borghese Gladiator.” | Rutgers University, Art History Graduate Student Symposium
2014 “Neither Medium nor Message: Drawing and the Documentation of Performance Art Since the 1960s.” | Association of Art Historians (AAH) Summer Symposium, Bristol, UK
2014 “Mapping Swedish Architectural History at the Arkitektur- och designcentrum.” | Symposium on the History of Architectural Exhibitions, The Museum of Modern Art, NY
2013 “Architectonic Ruins: The Visual Mobility of Architecture in Jean-Charles Delafosse’s desseins.” | Annual Art History Graduate Symposium, FSU, FL
2013 “Un-Natural Histories: Walton Ford and the Amnesia of American Natural History.” | Mapping: Geography, Power, and the Imagination in the Art of the Americas, Institute of Fine Arts (NYU), NY
Updated March 2025
2025 “The Machine Gaze: AI in Art Conservation and Analysis.” Institute of Fine Arts, NY (2025)
2023 "Drawings for Prints: From the Paris Salons to a Symbiotic Art Market," Organized by the Drawing Foundation for IFPDA Print Month, NY
2022 “Geography, in Dare To Know: Prints and Drawings in the Age of Enlightenment," Organized by Print Council for IFPDA Print Month, NY
2021 “Drawing Site-Specificity : The 1797 Exhibition of Drawings in the Louvre.“ New Directions in Eighteenth- and Nineteenth-Century Art seminar series, 26 July 2021
2020 “Jerusalem in the Age of Enlightenment” Guest lecture for ARTH 369: The City of Israel, Concordia University, Montreal, QC
2018 “Pigments of Imagination,” Gallery Talk at Harvard Art Museums, Cambridge, MA
2015 “‘Altho’ from these Ruins, it has Phenix like received a second birth’: Excavating Neoclassicism in Eighteenth-century France.” Brown bag talk, Cooper Hewitt, Smithsonian Design Museum