“Vasari as Algorithm: Machine Learning and the Old Masters” Burlington Contemporary [manuscript in progress].
“Review of Ways of Seeing: Three Takes on the Jack Shear Drawing Collection, The Drawing Institute, NY,” Master Drawings [manuscript in progress].
“Future Nostalgia: Archéo-Fiction from Giovanni Battista Piranesi to Alicja Kwade.” Intermédialités themed issue on “Returning (Nostalgia)” no. 39 [2022, forthcoming]
“Pour la satisfaction de l’œil: The 1797 Exhibition of Drawings in the Louvre.” In Inside the Exhibition: Temporalità, dispositivo, narrazione (Rome: Artemide Editore, forthcoming).
“Abraham Bloemaert’s Graphic Legacy in Eighteenth-century France,” ed. Léonie Marquaille, Abraham Bloemaert, New Perspectives, Volume II of Gouden eeuw: New Perspectives on Dutch seventeenth-century Art (Turnhout: Brépols, forthcoming).
“Galerie Cailleux." in Art Market Dictionary Online (De Gruyter, forthcoming).
“Latitudes of Tenderness: Imagining Nouvelle France in the Ancien Régime.” Journal18 themed issue on Race: Representation in the French Colonial Empire (Spring 2022).
“Geography,” in Dare to Know: Prints and Drawings in the Age of Enlightenment (New Haven: Yale University Press, 2022).
“Jean-Jacques Lequeu: Visionary Architect,” Exhibition Review, Sequitur (May 2020).
“The Ruins of Iconologie: Redefining Architecture in Jean-Charles Delafosse’s desseins," Athanor 32 (Florida State University: Museum of Fine Arts Press, 2014): p. 53-63.
“Gilt Surtout,” in Rococo and Neoclassical Interiors (Davis Museum, exh. cat 2011), n.p.
Cooper Hewitt, Smithsonian Design Museum, Object of the Day (2014-2017)
Bard Graduate Center Gallery: entries for Revisions- Zen for Film (2015)
The Metropolitan Museum of Art's Blog, "Galleys in the Gallery" (2014)
2021 “Le cadavre desséché de plantes”: Herbaria and the Formation of the Muséum national d’Histoire naturelle in Paris.” | ASECS, Annual Meeting (postponed from 2020)
2021 “A Sacrifice for Convenience: Acquiring, Selling, and Displaying Drawings in the Post-Revolutionary Louvre.” | College Art Association (CAA), Annual Meeting
2020 “Pour la satisfaction de l’œil: The 1797 Exhibition of Drawings in the Louvre.” | Inside the exhibition: temporalità, dispositivo e narrazione, VIII Giornata di Studi Dottorali del Rome Art History Network (RAHN)
2020 “Conducting Nature: Exposing Plant Iconography in Late Eighteenth-century Paris.” | European Society For The History of Science, Bologna
2018 “Multiple Exposures: Methodologies of Drawing Scholarship.” | Visual and Material Culture in the Early Modern Period, LUMEN, Aarhus University, Denmark
2018 “L’art surpasse ici la Nature: Gérard van Spaendonck and Botany at the Threshold.” | Canadian Society for Eighteenth-century Studies (CSECS), Annual Meeting, Niagara Falls
2017 “Arcadia ‘sous la latitude des Iroquois,’: Representing Indigenous Canadians in the Salon.” | American Society for Eighteenth-century Studies(ASECS), Annual Meeting
2015 “Skinned Sculptures: Replicating Republican Masculinity in Jean-Galbert Salvage’s Borghese Gladiator.” | Rutgers University, Art History Graduate Student Symposium
2014 “Neither Medium nor Message: Drawing and the Documentation of Performance Art Since the 1960s.” | Association of Art Historians (AAH) Summer Symposium, Bristol, UK
2014 “Mapping Swedish Architectural History at the Arkitektur- och designcentrum.” | Symposium for the graduate seminar, History of Architectural Exhibitions, The Museum of Modern Art, NY
2013 “Architectonic Ruins: The Visual Mobility of Architecture in Jean-Charles Delafosse’s desseins.” | Annual Art History Graduate Symposium, FSU, FL
2013 “Un-Natural Histories: Walton Ford and the Amnesia of American Natural History.” | Mapping: Geography, Power, and the Imagination in the Art of the Americas, Institute of Fine Arts (NYU), NY
2021 “Drawing Site-Specificity : The 1797 Exhibition of Drawings in the Louvre.“
New Directions in Eighteenth- and Nineteenth-Century Art seminar series, 26 July 2021
2020. “Jerusalem in the Age of Enlightenment” Guest lecture for ARTH 369: The City of Israel, Concordia University, Montreal, QC
2018. “Pigments of Imagination,” Gallery Talk at Harvard Art Museums, Cambridge, MA
2015 “‘Altho’ from these Ruins, it has Phenix like received a second birth’: Excavating Neoclassicism in Eighteenth-century France.” Brown bag talk, Cooper Hewitt, Smithsonian Design Museum
Updated April 16, 2022